Daniela  was performing at international level since 2005.

At the age of six she started her vocational training in the Jaguse Vrankova Academy based on Vaganova Method. In these years she was student of Viktor Litvinov and Irina Syrova, masters of Bolshoi Academy and Gary Norman, ex soloist of Australian Ballet. During the summer, she trained with Atelier Rudra Béjart in Lausanne, Switzerland, before to attend the Ukrainian Academy of Dance directed by E. Scepaciov who invited her to his school. In 1998 she participated to Baia Sardinia Festival and Olbia Dance Festival where she was noticed by Sabrina Massignani, director of Venezia Balletto. After her degree she received a bursary from Florence Dance Center to continue her professional studies, extending her knowledge through the Cecchetti Method. In 2005 she joined Balletto di Milano directed by Carlo Pesta as Corps de Ballet. During her career she worked for Venezia Balletto until 2013 and she trained with Nederlands Dance Theater, Compañia National de Dança in Madrid, Ballet de Monaco Montecarlo, Angélina Preljocaj's Company, Dv8 Company, Random Dance directed by WayneMc Gregor, Jose Agudo and Akhram Khan Company.

In 2013 she been part of Lustrum, a project of Gary Clark Company where she performed as soloist and the London Brilliant Fashion Gala. Last year she worked for Maria Gaetanidi Company with a solo for Manon and the Mariinsky Company in Cardiff during their international tour. At the moment Daniela she works in London and she is registered teacher of The Royal Accademy of Dance: She teach Syllabus grades for Children and free ballet classes for performers and pre professional students.

In 2019 she performs with English National Ballet in Cinderella and Swan Lake and she collaborates with Helen Robertson and the Central Saint Martins and Camberwell College of Arts.

At the moment, Daniela is a Choreographer, Movement Director internationally renowned for her innovations in performance that have redefined the traditional structure of ballet and the role of the spectatorship in a live performance. Driven by an insatiable curiosity about movement and its potential, her experiments have led her into a collaborative dialogue with different arts form such as architecture, light design, urban design and textile design. 

In 2017 she attended the Biennale Danza with her first project We Are Raw Material.
During these years, she develops a creative practice that explores the connection of mental memory images with improvisation movement language. She collaborated with the artist Maria Gaetanidi, artistic director of Anatoli Vassiliev Theatre, in the creation of a new methodology that explore the relation between experiences and movement. 

In March 2018 she continues in her laboratory for ambitious and experimental choreography with the projects Zones of Restriction performed in the Modern Art Gallery in Milan, Italy an she started a new challenging collaboration with the Pinuccio Sciola Museum in Sardinia. Since 2018, she has been resident choreographer at Accademia Nazionale di Roma, ŻfinMalta, Tanz Company Gervasi where she explores important and innovating themes such us the impact of new technologies on human behaviour. 
Her creative engine is the stimulus for her life long choreographic enquiry into thinking through and with the body. 

During the last year, she attended an MFA Choreography with the Trinity Laban Conservatoire of Music and Dance and she create a new work for The Eifman Academy of Dance performing the premiere in the Alexandrisky Theatre.